Surrealism warped reality
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But why such a focus on unsettling images and scenes? This painting is not simply a view to admire – it is an image which plays with our impulses and desires. This makes it strange for us – even disturbing. The disturbing veil limits their intimacy by blocking their wishes (ah… love during COVID-times!).
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We identify with the lovers and their strong sexual desires, but the veil covering their heads is weirdly unsettling. These two figures could be anyone - their identity is hidden. The oil painting was made in 1928, and like many of Magritte's paintings, it presents a subtle yet startling image.Īgainst a simple background, two figures – one wearing a classic black suit and a white shirt, and the other in a red sleeveless top – are embraced, kissing passionately although separated by a veil covering each of their heads. In fact, the works displayed did not at all conform to the political and aesthetic standards which dominated the Arts until then.Ī fitting example of a surrealist painting is ‘The Lovers II' by Belgian artist René Magritte, one of the leading figures of Surrealism. With the first of many surrealist exhibitions in Paris in 1925, they broke with traditional rules attracting the attention and moral concern of the Academia. The majority were Socialists, increasingly linked with Communism as the political tensions grew in the 1920s and 30s. These are the surrealist artists - or just some of the most well-known who fall under this label. Even acclaimed Spanish artist Salvador Dalì joined the group for a brief period!Įxtending to America the movement also had a significant influence on the work of Mexican artist Frida Khalo and American artist Dorothea Tanning. Surrealists included French poet André Breton, Belgian artist René Magritte, French painter and writer André Masson, Italian artist Giorgio De Chirico, German painter Max Ernst, Spanish painter Joan Mirò, French artist Jean Arp, France-based American visual artist Man Ray, and English artist Leonora Carrington. But who were the minds behind the Surrealist movement?Īrtists, poets, writers, painters… from all across Europe, but in less than ten years this artistic movement and political uprising even reached North and Latin America! The Surrealists created a very different art than the one which had characterised Art History until the end of the 1800s. Max Ernst, Forest and Dove (1927), Courtesy of the Tate ©ADAGP, Paris / DACS, London 2021. Originally it was a political and aesthetic break with the past, but the magnitude of Surrealism became a cultural statement which affected many artists and movements by putting the individual's reality and experience on a pedestal. In Surrealist art the central idea is to represent the unconscious mind. But the surrealist movement has much more to it than the simple representation of dreams. In fact, this art movement takes from Psychoanalytic theories which were trying to unravel the dream imagery and mechanisms of the unconscious mind. The first word which springs to mind when trying to understand this revolutionary movement is ‘dreams'. Distorted figures, human forms, melting clocks, unsettling landscapes… Most of us are probably aware of the famous paintings with strange dreamlike scenarios and bizarre imagery typical of Surrealism. Starting as a literary movement, it developed across Europe and America.
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Surrealism was an artistic movement spanning from 1924 to 1966.
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Related articles: Beyond Reality: 15 astonishing Surrealist paintings ever - 15 Surrealist artists you really shouldn't miss - Luis Buñuel between art and movie But there is much more to this literary, artistic and cultural movement, than dreamlike scenarios. In surrealist artworks, organic forms seem to transform in front of our eyes as our attention moves from one detail to another.